Surrealism is a broad movement that inspires a new sensibility. Its goals are to lead the free expression of what he considers as internal man, your unconscious and your imagination. Breton's first surrealist manifesto signed in 1924 and through his reading are the foundations of this movement: I believe in the future encounter of these two states, apparently contradictory, as are the dream and reality into a kind of absolute reality, ofsurreality. Surrealism expresses the real functioning of thought, without control of reason, freely against aesthetic or moral preoccupations. There is a point in the mind from which life and death, the real and imaginary, past and future of foregone contradictory.
Common resources to translate these theoretical content in the figurative arts are fantastic machines introduce isolate anatomical fragments, the animation of the inanimate, the metamorphosis, the prospects empty, evocative creations of chaos, confrontation of incongruous objects, the erotic thematic reference the importance given to sex in psychoanalysis, though each artist prints his own label.
The most important artists are:
• Salvador Dalí (1904-1989). His work could be summed up in surreal and provocative, he left the school of Fine Arts in Madrid for their incompetent judge in Paris profesoresy and ready to rends Surreal (1929).
His work is always disturbing, poetic speech close to, sometimes film, tends to break the spatial values characteristic of adentrrse in painting and literature.
-It is exceptional in its plastic qualities of amazing drawing, intentionally be influenced by the Renaissance and Baroque, with a light clean and trnasparente.
Already in the work-girl in the window, where the correction of the drawing, composition and color reminiscent of a classic, surprised by his attempt to break with the usual conventions, by placing the girl (his sister) back to the viewer.
His first step is furious surreal and acidic forms elongate, break down or are misleading appearance as the Persistence of Memory, in Architectural Angelus, or Premonition of Civil War (1936). Later it will become grandly baroque works, Atomic Leda or the Christ of St. John of the Cross will be imbued with a sense of space and classic composition but always disturbing. Dali painting practically abandoned in 1982, the death of his muse and companion. Gala Eluard.
-Some become obsessive themes, such as bent or symbolic images associated with gender. Its color is bright, objects, landscapes, people are symbolic associations involved in a dreamlike atmosphere.
• Joan Miró (1893-1983). Precise and detailed language, and in 1923 began to translate the reality that emerged from the dream. His creations are formed by associations fantastic, symbolic signs, waves and curves imposed on his work a rhythmic and festive character. This style appears as himself in all his works with a constant bright colors, stars, moons, filaments, repeating over and over again, full of lyricism and emotion as well as harlequin's carnival.
VIDEO DALI MADE BY DISNEY: http://www.youtube.com/watch?v=J4Azq3Pe9x4
Common resources to translate these theoretical content in the figurative arts are fantastic machines introduce isolate anatomical fragments, the animation of the inanimate, the metamorphosis, the prospects empty, evocative creations of chaos, confrontation of incongruous objects, the erotic thematic reference the importance given to sex in psychoanalysis, though each artist prints his own label.
The most important artists are:
• Salvador Dalí (1904-1989). His work could be summed up in surreal and provocative, he left the school of Fine Arts in Madrid for their incompetent judge in Paris profesoresy and ready to rends Surreal (1929).
His work is always disturbing, poetic speech close to, sometimes film, tends to break the spatial values characteristic of adentrrse in painting and literature.
-It is exceptional in its plastic qualities of amazing drawing, intentionally be influenced by the Renaissance and Baroque, with a light clean and trnasparente.
Already in the work-girl in the window, where the correction of the drawing, composition and color reminiscent of a classic, surprised by his attempt to break with the usual conventions, by placing the girl (his sister) back to the viewer.
His first step is furious surreal and acidic forms elongate, break down or are misleading appearance as the Persistence of Memory, in Architectural Angelus, or Premonition of Civil War (1936). Later it will become grandly baroque works, Atomic Leda or the Christ of St. John of the Cross will be imbued with a sense of space and classic composition but always disturbing. Dali painting practically abandoned in 1982, the death of his muse and companion. Gala Eluard.
-Some become obsessive themes, such as bent or symbolic images associated with gender. Its color is bright, objects, landscapes, people are symbolic associations involved in a dreamlike atmosphere.
• Joan Miró (1893-1983). Precise and detailed language, and in 1923 began to translate the reality that emerged from the dream. His creations are formed by associations fantastic, symbolic signs, waves and curves imposed on his work a rhythmic and festive character. This style appears as himself in all his works with a constant bright colors, stars, moons, filaments, repeating over and over again, full of lyricism and emotion as well as harlequin's carnival.
Portrait of Mae West that can be used as an apartment surreal.
Archeological Reminiscence of Millet\'s Angelus.
The Persistence of Memory, 1931
The Temptation of St. Anthony, 1946